北京舞蹈学院学报
北京舞蹈學院學報
북경무도학원학보
Journal of Beijing Dance Academy
2015年
1期
94~99
,共null页
胡腾舞 入华粟特人 审美意蕴 墓葬图像 雄健豪放
鬍騰舞 入華粟特人 審美意蘊 墓葬圖像 雄健豪放
호등무 입화속특인 심미의온 묘장도상 웅건호방
Hu Teng Dance; Migrate Sogdian; Aesthetic Connotation; Images of Tombs
胡腾舞是汉末至北齐期间传入中原的粟特舞蹈之一,在隋唐时期达到了鼎盛。胡腾舞之所以能风靡中原,在于其具有三个方面的艺术特征和审美风格：雄健豪放的动作美和眉目传情的表情美;性感挺拔的人体美和妍彩奢华的服饰美;酣畅淋漓的醉意美和精湛高超的艺术技巧。本文从图像学、文学研究视角出发,对胡腾舞的审美意蕴进行了论证。
鬍騰舞是漢末至北齊期間傳入中原的粟特舞蹈之一,在隋唐時期達到瞭鼎盛。鬍騰舞之所以能風靡中原,在于其具有三箇方麵的藝術特徵和審美風格：雄健豪放的動作美和眉目傳情的錶情美;性感挺拔的人體美和妍綵奢華的服飾美;酣暢淋巑的醉意美和精湛高超的藝術技巧。本文從圖像學、文學研究視角齣髮,對鬍騰舞的審美意蘊進行瞭論證。
호등무시한말지북제기간전입중원적속특무도지일,재수당시기체도료정성。호등무지소이능풍미중원,재우기구유삼개방면적예술특정화심미풍격：웅건호방적동작미화미목전정적표정미;성감정발적인체미화연채사화적복식미;감창림리적취의미화정담고초적예술기교。본문종도상학、문학연구시각출발,대호등무적심미의온진행료론증。
Hu Teng dance was one of Sogdiana dance that introduced to Central China during the end of Han and Northern Qi Dynasty. It reached its peak in Sui and Tang Dynasties. The reason that why Hu Teng dance was popular in Central China lies in the three aspects of its characteristics and aesthetic styles： the beauty of vigorous movements and touching facial expressions; the beauty of sexy and upright bodies and luxurious costumes; the beauty of ecstasy and exquisite artistry. The paper illustrates the aesthetics of Hu Teng dance in the perspectives of iconography and literature.
