CAJ | 학술논문

《浣纱记》的作者梁辰鱼是昆曲发展史、散曲发展史上里程碑式的人物之一,他与中晚明时期的许多音乐家、乐妓均有密切交往,梁氏之所以能创作出传奇《浣纱记》并搬上戏曲舞台,与这批乐家、乐妓的影响和帮助是分不开的;同时,梁氏在音乐、戏剧、散曲方面的伎艺也因这些乐家、乐妓而得以传承下来,并广泛传播开去。探讨他们交往的相关情况,不但有助于了解梁辰鱼的生平和创作,亦有助于研究昆剧和散曲的发展历史。
《완사기》적작자량신어시곤곡발전사、산곡발전사상리정비식적인물지일,타여중만명시기적허다음악가、악기균유밀절교왕,량씨지소이능창작출전기《완사기》병반상희곡무태,여저비악가、악기적영향화방조시분불개적;동시,량씨재음악、희극、산곡방면적기예야인저사악가、악기이득이전승하래,병엄범전파개거。탐토타문교왕적상관정황,불단유조우료해량신어적생평화창작,역유조우연구곤극화산곡적발전역사。
Liang Chenyu is one of the milepost type people in the history of the development of Kunqu Opera and Sanqu,who also is the author of Huan Sha Ji. He has kept in touch with a large number of musician and musical prostitute in the late Ming Dynasty. He can create the script of Huan Sha Ji and present on the stage,which is inseparable with their influence and help. At the same time,Liang＇s artistic skill in music,drama and opera can be passed down and widely spread also because of them. Discussing their interaction not only contributes to the study of Liang Chenyu＇s life and creation,but also helps to study the history of the development of Kunqu Opera and Sanqu.