晋阳学刊
晉暘學刊
진양학간
Academic Journal of Jinyang
2015年
2期
41~46
,共null页
子弟书 序跋 溯源 创作者
子弟書 序跋 溯源 創作者
자제서 서발 소원 창작자
Zidishu; preface and postscript; origin; composers
子弟书是清代说唱文学北方鼓词的重要一支,属于民族说唱曲种中的"单唱鼓词"。它既指清代八旗子弟的创作和表演以及受众作品(含案头阅读作品),又指一种清代曲种与曲艺说唱活动。20世纪末以来,国内外学术界对清代子弟书的研究日益重视,并取得丰硕的成果,但对其序跋的研究却为许多研究者所忽略。考察序跋中提到的子弟书形成原因、刻印传播过程及创作者寻踪,以期给予在清代社会巨变中独具特色的曲艺"子弟书"一个准确的定位与诠释,相信对于了解清代子弟书及其发展脉络、理论批评,对于清代曲艺史、社会史、民族文化史的研究,亦具有重要的学术参考价值。
子弟書是清代說唱文學北方鼓詞的重要一支,屬于民族說唱麯種中的"單唱鼓詞"。它既指清代八旂子弟的創作和錶縯以及受衆作品(含案頭閱讀作品),又指一種清代麯種與麯藝說唱活動。20世紀末以來,國內外學術界對清代子弟書的研究日益重視,併取得豐碩的成果,但對其序跋的研究卻為許多研究者所忽略。攷察序跋中提到的子弟書形成原因、刻印傳播過程及創作者尋蹤,以期給予在清代社會巨變中獨具特色的麯藝"子弟書"一箇準確的定位與詮釋,相信對于瞭解清代子弟書及其髮展脈絡、理論批評,對于清代麯藝史、社會史、民族文化史的研究,亦具有重要的學術參攷價值。
자제서시청대설창문학북방고사적중요일지,속우민족설창곡충중적"단창고사"。타기지청대팔기자제적창작화표연이급수음작품(함안두열독작품),우지일충청대곡충여곡예설창활동。20세기말이래,국내외학술계대청대자제서적연구일익중시,병취득봉석적성과,단대기서발적연구각위허다연구자소홀략。고찰서발중제도적자제서형성원인、각인전파과정급창작자심종,이기급여재청대사회거변중독구특색적곡예"자제서"일개준학적정위여전석,상신대우료해청대자제서급기발전맥락、이론비평,대우청대곡예사、사회사、민족문화사적연구,역구유중요적학술삼고개치。
Zidishu is an important branch of Northern China's Guci in the talking and singing literature of the Qing Dynasty. As a type of monophonic guci,it refers to a kind of music and musical activity in the Qing Dynasty,as well as the popular works written and performed by Eight Banners children(including works for reading). Ever since the end of the twentieth century,increasing importance has been attached to the research on Zidishu by scholars at home and abroad,and therefore,fruitful results have been obtained. This paper is intended to present a preliminary probe into the origin,engraving,and spread of Zidishu,and the search for composers,which are all mentioned in the preface and postscript,to precisely position and interpret this unique type of music through the dramatic social changes. It is believed that an understanding of Zidishu,its development and the theoretical criticism of it,will be of important academic referential value for the study of the history of the Qing Dynasty's music,social history,and the history of ethnic culture.