CAJ | 학술논문

本雅明在其规模宏大的＂拱廊研究计划＂中,将目光聚焦于作为19世纪的首都的巴黎,描述并阐发了巴黎的拱廊、世界博览会、居室装饰艺术、巴黎公社时期的街垒等都市景观。在他看来,整个巴黎就是由新技术与新经济营造起来的一种＂幻境世界＂。为此,他借着充斥商品拜物教气息的巴黎拱廊、世界博览会等景观揭示了＂市场幻境＂的秘密,借着＂居室＂对新技术与新经济的抗拒以及＂青春艺术派＂装饰对＂居室＂的消灭述说了＂居室幻境＂的命运,借着奥斯曼对巴黎的改建以及巴黎公社时期的街垒战和巴黎焚城等新行为分析了＂文明本身的幻境＂这一＂辩证的意象＂。
본아명재기규모굉대적＂공랑연구계화＂중,장목광취초우작위19세기적수도적파려,묘술병천발료파려적공랑、세계박람회、거실장식예술、파려공사시기적가루등도시경관。재타간래,정개파려취시유신기술여신경제영조기래적일충＂환경세계＂。위차,타차착충척상품배물교기식적파려공랑、세계박람회등경관게시료＂시장환경＂적비밀,차착＂거실＂대신기술여신경제적항거이급＂청춘예술파＂장식대＂거실＂적소멸술설료＂거실환경＂적명운,차착오사만대파려적개건이급파려공사시기적가루전화파려분성등신행위분석료＂문명본신적환경＂저일＂변증적의상＂。
Walter Benjamin centers his arcades project on Paris of the 19 th century,describing and explicating the passages courverts,world expo,interior decoration,Paris commune and all spectacles.Paris looks like a wonderland made up of new technology and new economy,which becomes the target of criticisms.Besides,he adopts the innovative reconstruction of Paris by Haussmann and other events to account for the civilization as a dialectical image.