CAJ | 학술논문

周立波的《山乡巨变》在叙事框架、观念形态层面,表达的是以政治意识形态文化为主导的国家功利话语;艺术场景、生活形态层面体现的,却是以充满日常性和人情味的乡村生活图景为中心的民间生态话语。作者一方面将乡土文化的传统底蕴转化成一种充满生命活力的现实生活形态,另一方面又将时代新生活描述成一种贯穿着各种民俗文化元素的乡土生活新境界。这种双重话语并置、多元文化共生的审美建构,不仅呈现出对社会矛盾双方客观审视、辨证分析的审美意味,而且隐含着一种乡土民间文化与政治意识形态文化在当时的历史条件下呈融合发展态势的历史认知。
주립파적《산향거변》재서사광가、관념형태층면,표체적시이정치의식형태문화위주도적국가공리화어;예술장경、생활형태층면체현적,각시이충만일상성화인정미적향촌생활도경위중심적민간생태화어。작자일방면장향토문화적전통저온전화성일충충만생명활력적현실생활형태,령일방면우장시대신생활묘술성일충관천착각충민속문화원소적향토생활신경계。저충쌍중화어병치、다원문화공생적심미건구,불부정현출대사회모순쌍방객관심시、변증분석적심미의미,이차은함착일충향토민간문화여정치의식형태문화재당시적역사조건하정융합발전태세적역사인지。
The narrative framework and ideology of Shan Xiang Ju Bian expresses political ideology which was dominated by national utilitarian discourse. However,the art scene and life modality of this novel is based on folk ecological discourse,which was centered on daily life and villagers＇ interests. On the one hand,the traditional heritage of local culture has been transformed into a realistic lifestyle full of vitality; on the other hand,the new era of life has been turned into a description of a new realm of local life penetrated with various folk culture elements. This aesthetic structure of double discourse and juxtaposition of multicultural coexistence not only presents an objective look and a dialectical analysis on both sides of the social contradictions,but also implies a historical recognition of the development trend of integration of local folk culture and political ideology at that time.