CAJ | 학술논문

20世纪80年代中后期以来的不少知青影视存在着一种执拗而鲜明的回归情结,这种回归情感的产生除了受主流意识形态的倡导和部分导演的理想主义气质影响外,更是人到中年的知青一代普遍的精神共感。对这种回归情感的渲染一方面使得知青镜像带有浓郁的理想主义和浪漫主义光影,另一方面也不可避免地会稀释掉历史的创痛,遮蔽和消解历史的荒谬与苦难,有的甚至偏离了现实主义的正途。
20세기80년대중후기이래적불소지청영시존재착일충집요이선명적회귀정결,저충회귀정감적산생제료수주류의식형태적창도화부분도연적이상주의기질영향외,경시인도중년적지청일대보편적정신공감。대저충회귀정감적선염일방면사득지청경상대유농욱적이상주의화랑만주의광영,령일방면야불가피면지회희석도역사적창통,차폐화소해역사적황류여고난,유적심지편리료현실주의적정도。
Since the middle and late eighties,there is a kind of distinct regression complex across many educated youth film and television.This generation of regression emotion was advocated by mainstream ideology and affected by some director＇s idealistic temperament,especially due to spirit empathy of the educated youth generation of middle-aged general.Rendering on this regression emotion on the one hand makes the educated youth image with a strong idealism and romanticism light,on the other hand also inevitably dilutes the historical trauma,covering and overturning the absurdity and suffering of history,some more deviated from the realism of the right path.