CAJ | 학술논문

本文对发展迅速的生态文学批评或曰“生态批评”这一学科作了基本介绍。鉴于该领域已有若干广为流传的定义，本文将重点讨论三个具体的文学实例，从生态批评的角度对其进行简要分析。它们包括：威廉·斯塔福德的《或许是独自骑车》、奥费利娅·齐佩达的《要下雨了》和威尔弗莱德·欧文的《为国捐躯》。本文中心论点是，无论是直接描写自然界的作品，还是并未直接提及自然的文学作品或其他形式的文化表达，所有文本都可能包含生态意义。当前大多数生态批评研究的首要范式可被表述为“地方”和“动物性”，本文中的三个文本实例以不同方式涉及了上述概念性范式。
본문대발전신속적생태문학비평혹왈“생태비평”저일학과작료기본개소。감우해영역이유약간엄위류전적정의，본문장중점토론삼개구체적문학실례，종생태비평적각도대기진행간요분석。타문포괄：위렴·사탑복덕적《혹허시독자기차》、오비리아·제패체적《요하우료》화위이불래덕·구문적《위국연구》。본문중심론점시，무론시직접묘사자연계적작품，환시병미직접제급자연적문학작품혹기타형식적문화표체，소유문본도가능포함생태의의。당전대다수생태비평연구적수요범식가피표술위“지방”화“동물성”，본문중적삼개문본실례이불동방식섭급료상술개념성범식。
This paper offers a basic introduction to the rapidly growing discipline of ecological literary criticism,or “ecocriticism.”After beginning with several well-known definitions of the field,the dis-cussion then focuses on three specific literary examples and presents abbreviated ecocritical explica-tions of these works：William Stafford＇s Maybe Alone on My Bike,Ofelia Zepeda＇s It Is Going to Rain,and Wilfred Owen＇s Dulce Et Decorum Est.The central point of the paper is that it is possible to read for ecological meaning in texts that explicitly engage with the natural world and also in literary works and other forms of cultural expression that do not explicitly mention nature.The overarching paradigms in most ecocritical studies today can be described as “place”and “animality,”and the three textual examples presented here touch in different ways upon these conceptual paradigms.