CAJ | 학술논문

叙事时间和叙事视角是电影叙事学重点考察的内容。＂十七年＂时期的革命历史题材电影在叙事时间上,主要涉及对时间的选择、时间顺序的安排和时距（时间的变形）三个方面,创作者基本遵循秩序,显得规范、工整,渲染、突出重点情节和段落。这一时期影片的叙事视角主要采用全知视角,以及限制视角和全知视角相结合的方式,创作者选择让叙述者隐身在作品背后,强化＂视觉幻象＂,靠情节自身的推动力向前发展。这样的叙事方式是由时代性的意识形态及其审美取向决定的。
서사시간화서사시각시전영서사학중점고찰적내용。＂십칠년＂시기적혁명역사제재전영재서사시간상,주요섭급대시간적선택、시간순서적안배화시거（시간적변형）삼개방면,창작자기본준순질서,현득규범、공정,선염、돌출중점정절화단락。저일시기영편적서사시각주요채용전지시각,이급한제시각화전지시각상결합적방식,창작자선택양서술자은신재작품배후,강화＂시각환상＂,고정절자신적추동력향전발전。저양적서사방식시유시대성적의식형태급기심미취향결정적。
Film narratology focuses on the narrative time and narrative viewpoints. In the films of the revolutionary history in the ＂Seventeen-year Period ＂, the narrative time mainly refers to the choice of the time, the time sequence, and the time spans（deformation of the time）. With the creators basically follow the orders, so those films seem normative and neat, regularly revealing the key plots and parts. The narrative viewpoint at that time takes mainly the omniscient viewpoint, and also the combination of the limited viewpoint and the omniscient viewpoint. The creators choose to let the narrator hide behind the text, so to strengthen the ＂visual illusion＂ and promote the plot development by the plot itself. Such narrative method is decided by the ideology of the times and its aesthetics orientation.