CAJ | 학술논문

当代中国文艺理论始终是在与西方文论前沿的互动对话中发现新问题、提出新话题,进而完成自我理论更新。对西方新历史主义“文化诗学”的引入,便同样是本土语境中“语言论转向”与“文化转向”这一文论模式“内—外”更迭后对西方前沿思潮的吸纳、改造与升华。“文化诗学”作为世纪之交中西文论的一次“典型性”异质文论间的跨文化对话,不仅是中国当代文艺理论于现实文化困境中的理论突围,还是刘庆璋等文论家试图于中西文论互动对话中变革更新当下文艺理论范式的时代选择。
당대중국문예이론시종시재여서방문론전연적호동대화중발현신문제、제출신화제,진이완성자아이론경신。대서방신역사주의“문화시학”적인입,편동양시본토어경중“어언론전향”여“문화전향”저일문론모식“내—외”경질후대서방전연사조적흡납、개조여승화。“문화시학”작위세기지교중서문론적일차“전형성”이질문론간적과문화대화,불부시중국당대문예이론우현실문화곤경중적이론돌위,환시류경장등문론가시도우중서문론호동대화중변혁경신당하문예이론범식적시대선택。
The contemporary Chinese literature theory has always been finding new problems, putting forward new topics, and then completing the self- renewal through interactive dialogue with the Western literature theory. For the introduction of the new historicism ＂cultural poetics＂, it is also a process of absorption, renovation and sublimation of the Western literature theory in the local context of the mode change of the literary theory of the ＂linguistic theory＂ and ＂cultural studies＂. ＂Cultural poetics＂ as a ＂typical＂ intercultural dialogue between Chinese and Western literary theories at the turn of the century, is not only a theo- retical breakthrough of the Chinese contemporary literary theory in the cultural dilemma, but also an era choice of Liu Qingzhang and other literary theorists who attempt to change and update the current literature theoretical paradigm through interactive dia- logue between the two theories.