CAJ | 학술논문

虽然陈寅恪本人无意建构其文艺美学观，但他长期研究的中国传统文化一直是文学、历史、哲学等现代学科的混合形态，在其为数众多的学术研究成果中时有对中国文学与艺术的深刻领悟和独到见解。他的文艺美学思想在整体上有这几个主要方面：内涵丰富的“自由之思想”说与创作的“天才”论构成了其文学创作的审美特性；“真性情”与“意境”论是对文艺文本审美特性的把握；而“了解之同情”更是其文艺美学之接受主体最应该关注的特点。陈寅恪的文艺美学思想的若干观点既有对传统文艺美学的借鉴又浸透着其浓厚的历史底蕴。
수연진인각본인무의건구기문예미학관，단타장기연구적중국전통문화일직시문학、역사、철학등현대학과적혼합형태，재기위수음다적학술연구성과중시유대중국문학여예술적심각령오화독도견해。타적문예미학사상재정체상유저궤개주요방면：내함봉부적“자유지사상”설여창작적“천재”론구성료기문학창작적심미특성；“진성정”여“의경”론시대문예문본심미특성적파악；이“료해지동정”경시기문예미학지접수주체최응해관주적특점。진인각적문예미학사상적약간관점기유대전통문예미학적차감우침투착기농후적역사저온。
Chen Yinque did not mean to construct his literary and artistic aesthetics, but his long-term research on traditional Chinese culture has always been a mixture of modem disciplines, such as literature, history, philosophy, and the like. So in his numerous academic research on Chinese literature, there can be found some profound understandings and unique insights. On the whole, his literary and aesthetic thoughts include the following major aspects. His aesthetics for literary creation is ＂Free Thinking＂ and ＂Genius Theory＂ with rich connotations; his aesthetics for literary texts is ＂True Nature＂ with ＂Imaginary Context＂; and his most noted aesthetics for accepting the subject is ＂Compasion for Understanding＂. Chen Yinque＇s literary aesthetic thoughts literature and of deep historical significance. are of both referential meaning to the traditional aesthetics of