CAJ | 학술논문

本文采用抽样调查和典型案例分析的方法，分析了古典音乐录音资源的特点，并对古典音乐录音资源FRBR化描述进行了探索。研究发现，古典音乐录音资源不同生产阶段的产物——音乐作品、音乐表演版本、音乐录音载体之间呈现出多对多的复杂关系。古典音乐录音资源描述记录FRBR化的途径主要是MARC记录的FRBR化，在理论上和实践上具有可行性。此外，构建FRBR化的元数据标准以及领域本体也是值得探索的方法。
본문채용추양조사화전형안례분석적방법，분석료고전음악록음자원적특점，병대고전음악록음자원FRBR화묘술진행료탐색。연구발현，고전음악록음자원불동생산계단적산물——음악작품、음악표연판본、음악록음재체지간정현출다대다적복잡관계。고전음악록음자원묘술기록FRBR화적도경주요시MARC기록적FRBR화，재이론상화실천상구유가행성。차외，구건FRBR화적원수거표준이급영역본체야시치득탐색적방법。
This paper adopts methods of sample survey and case study to examine the characteristics of classical music recordings and explore the FRBRization description of classical music recordings. Our results show that the musical composition, the musical performance and the carrier of music recordings, which are the products of different production stages of classical music recording resources, are showing the complex relationships among them. The conversion of MARC records to FRBR records is the main method of the ap- proach which was proved theoretically and practically possible. Moreover, Constructing “FRBRized” meta- data standard and domain ontology are also approaches that reward to be explored.