CAJ | 학술논문

有着漫长殖民历史的阿尔及利亚与法国的关系难分难解,在许多法国知识分子的生平和作品中烙下了深刻的印记。其中最具代表性的三位重要作家阿尔贝·加缪、埃莱娜·西克苏和雅克·德里达便在写作中以各自不同的方式向这归不得的故乡遥遥致意。在他们那里,阿尔及利亚早已不仅仅指代一个现实的地域,它意味着差异性,他者,无解的疑难,文字的漂泊。本文试图通过解读这几位作家关于阿尔及利亚的自传性文本,辨析阿尔及利亚是如何在深层的隐喻维度上构成了对其法语书写的解构与改造,也更新了其记忆、想象和虚构的空间。
유착만장식민역사적아이급리아여법국적관계난분난해,재허다법국지식분자적생평화작품중락하료심각적인기。기중최구대표성적삼위중요작가아이패·가무、애래나·서극소화아극·덕리체편재사작중이각자불동적방식향저귀불득적고향요요치의。재타문나리,아이급리아조이불부부지대일개현실적지역,타의미착차이성,타자,무해적의난,문자적표박。본문시도통과해독저궤위작가관우아이급리아적자전성문본,변석아이급리아시여하재심층적은유유도상구성료대기법어서사적해구여개조,야경신료기기억、상상화허구적공간。
The relation between Algeria and France is full of conflicts and tension, and profoundly influenced many French writers. Among them are Albert Camus, Hélène Cixous and Jacques Derrida, who paid tribute in different ways to their homeland. For them, Algeria is not only a real country, but also a metaphor of difference, alterity and aporia. This paper tries to analyze the way in which Algeria deconstructed and renewed their writing, and constituted a space of memory, imagination and fiction.