CAJ | 학술논문

自从韦恩·布思提出＂隐含作者＂这一重要的叙事理论概念以来,这一概念在国际叙事学界产生了很大影响。但是,由于学者们对它的不同理解,产生了不同的阐释,形成了以西摩·查特曼为代表的结构主义叙事学流派将＂隐含作者＂看成是真实作者在写作中创造的一个产物,将＂隐含作者＂囿于文本之内,甚至认为作品在创造出来之后,作者就死了。而以詹姆斯·费伦为代表的后经典叙事学流派对＂隐含作者＂的理解走向另一个误区,将它等同于真实作者,认为创作文本的不是＂隐含作者＂,而是真实作者。这些对＂隐含作者＂的理解都有失偏颇。对该概念的正确理解应该打破文本的封闭性、客观性,将其置于人文视域之下,从作者的编码和读者的解码双向进行,并考虑作者创作时的社会历史语境,才能更好地把握＂隐含作者＂在叙事交流过程中的作用。
자종위은·포사제출＂은함작자＂저일중요적서사이론개념이래,저일개념재국제서사학계산생료흔대영향。단시,유우학자문대타적불동리해,산생료불동적천석,형성료이서마·사특만위대표적결구주의서사학류파장＂은함작자＂간성시진실작자재사작중창조적일개산물,장＂은함작자＂유우문본지내,심지인위작품재창조출래지후,작자취사료。이이첨모사·비륜위대표적후경전서사학류파대＂은함작자＂적리해주향령일개오구,장타등동우진실작자,인위창작문본적불시＂은함작자＂,이시진실작자。저사대＂은함작자＂적리해도유실편파。대해개념적정학리해응해타파문본적봉폐성、객관성,장기치우인문시역지하,종작자적편마화독자적해마쌍향진행,병고필작자창작시적사회역사어경,재능경호지파악＂은함작자＂재서사교류과정중적작용。
Since Wayne Booth brought forth the narrative conception of＂implied author＂,it has produced great impact on international narrative circle.But due to scholars＇ different understanding and interpretation,different schools of narrative were formed.The structuralist narratology represented by Seymour Chatman regarded＂implied author＂as a product in the text produced by real author.Therefore,＂implied author＂was confined to the text,and was even thought to die after a literary work had been composed,while post-classical narratology represented by James Phelan mistook implied author as real author,held the belief that it is not＂implied author＂but real author who composes literary work.The two opinions of＂implied author＂above are wrong.The correct interpretation of＂implied author＂should be based on breaking the enclosure and objectivity of text,placing it under humanity vision,and understanding it from the perspectives of encoding and decoding.Meanwhile,the social historical context should be considered.Only in this way can we better master the effectiveness of＂implied author＂in the course of narrative communication.