民族艺术研究
民族藝術研究
민족예술연구
Ethnic Art Studies
2015年
2期
87~93
,共null页
泉州南音 传承 本质问题 声乐演唱 国际传播
泉州南音 傳承 本質問題 聲樂縯唱 國際傳播
천주남음 전승 본질문제 성악연창 국제전파
Nanyin in Quanzhou ; inheritance ; essential question ; vocal performance ; international trans-mission
当下,"非遗"作为当代民族文化自觉之国家行为已然进入了"自下而上""自内而外"的阶段。南音作为具备国家级和世界级"非遗"双重身份的闽南区域传统音乐品种,兼具了区域性和国际性。因此,在传播语境中,南音传承研究需要的不是是否保护与发展的讨论,而是如何传承与传播的研究。本文站在音乐学立场,从基本问题出发,以南音声乐演唱为个案阐述了何为南音、传承什么南音以及如何传承南音等三个南音传承基本问题,南音专业传承的现实问题以及国际传播中的南音传承问题等。
噹下,"非遺"作為噹代民族文化自覺之國傢行為已然進入瞭"自下而上""自內而外"的階段。南音作為具備國傢級和世界級"非遺"雙重身份的閩南區域傳統音樂品種,兼具瞭區域性和國際性。因此,在傳播語境中,南音傳承研究需要的不是是否保護與髮展的討論,而是如何傳承與傳播的研究。本文站在音樂學立場,從基本問題齣髮,以南音聲樂縯唱為箇案闡述瞭何為南音、傳承什麽南音以及如何傳承南音等三箇南音傳承基本問題,南音專業傳承的現實問題以及國際傳播中的南音傳承問題等。
당하,"비유"작위당대민족문화자각지국가행위이연진입료"자하이상""자내이외"적계단。남음작위구비국가급화세계급"비유"쌍중신빈적민남구역전통음악품충,겸구료구역성화국제성。인차,재전파어경중,남음전승연구수요적불시시부보호여발전적토론,이시여하전승여전파적연구。본문참재음악학립장,종기본문제출발,이남음성악연창위개안천술료하위남음、전승십요남음이급여하전승남음등삼개남음전승기본문제,남음전업전승적현실문제이급국제전파중적남음전승문제등。
Currently, the protection of the Intangible Cuhural na, a country with high cultural consciousness, has become a Heritage, being a nationwide consensus in Chiself - initiate and self - consious action. Nany- in, a traditional music species in southern Fujian, with ICH identity in both national and world classes, fu- ses the regional characteristics and the international aesthetics. Therefore, in the context of Nanyin's transmission, its study should stresses not whether it needs to be inherited or not, but how we inherit and develop the art of Nanyin. This paper, taking the Nanyin vocal performance as an example, elaborates three basic questions in the inheritance of Nanyin: what's Nanyin; what is the essential characteristics of Nanyin; and how we inherited it, in the perspevtive of musicology. In addition, this paper also focus on the problems in the realistic problems of Nanyin's inheritance, and Nanyin's international transmission.