CAJ | 학술논문

萧衍的音乐观与其文学思想密切相关。他对雅乐的提倡仅限于朝廷音乐礼制的建设，而在具体实践中亦多有不合雅正要求之处，主要体现在三朝礼的用乐和雅乐歌辞的创作上。这与他对新声俗乐表现出的浓厚兴趣一致。可见萧衍的音乐观并不保守，不能以此证明其文学思想之复古。
소연적음악관여기문학사상밀절상관。타대아악적제창부한우조정음악례제적건설，이재구체실천중역다유불합아정요구지처，주요체현재삼조례적용악화아악가사적창작상。저여타대신성속악표현출적농후흥취일치。가견소연적음악관병불보수，불능이차증명기문학사상지복고。
Xiao Yan＇s music thought is closely related to his literary thought. His proposal on ＂Ya＂ music is limited within the domain of the construction of court ritual music. In practice, his view is deviant from the canonicals as well. These are mainly reflected in the music of ＂san chao ritual＂ and in the composition of ＂Ya＂ musical songs, which is in consistent with his strong interest in folk music. Thus, it is evident that Xiao Yan＇s music thought is not conservative and cannot be used as a proof for his conservative approach concerning literary thought.