CAJ | 학술논문

李白辞赋今存八篇。受当时赋风、时风及李白个性气质的影响，其赋作具有较强的个性抒情特色。其赋不但鉴借楚骚之精神，亦兼承楚骚汉赋的艺术表现方式，如在句式、章法、用典、使事等方面，皆“祖骚而宗汉”。虽元代祝尧称其辞赋“终六朝赋耳”，然细析其因承袭变，加之儒道的精神契合，其辞赋在拟古的基础上实不同于六朝，在“以赋体道”方式上亦异于后世，其赋作可谓具有独特的思想与艺术内涵，同时对研究辞赋从楚辞、汉赋到律赋的演变及对经、史文化的接受具有重要价值。
리백사부금존팔편。수당시부풍、시풍급리백개성기질적영향，기부작구유교강적개성서정특색。기부불단감차초소지정신，역겸승초소한부적예술표현방식，여재구식、장법、용전、사사등방면，개“조소이종한”。수원대축요칭기사부“종육조부이”，연세석기인승습변，가지유도적정신계합，기사부재의고적기출상실불동우육조，재“이부체도”방식상역이우후세，기부작가위구유독특적사상여예술내함，동시대연구사부종초사、한부도율부적연변급대경、사문화적접수구유중요개치。
Until now Li Po has 8 pieces of rhapsodies. On account of the influence of the time and the vogue for Fues creating at that time, additionally Li Po＇s individuality, his rhapsodies were provided with quite strong individual and emotional characteristic. His rhapsodies not only imbibe the spirit of Ch＇u Tz＇u, but also use the art style of Ch＇u Tz＇u and Han Fues for reference, such as using patterns of sentence, art of composition, literary quotations and so on by modeling Ch＇u Tz＇u and Han Fues. Although Zhu thought his arts should be parallel fues in Liu dynasties, analyzing the following and changes, and corresponding of Confucianism and Taoism, his rhapsodies which based on the archaistic style are different from the ones in six-dynasties and aftertime, possessing of unique ideology and art connotation. The view that he advocated the diction should be splendorous and meaning be rich and extend more developed the academic research on rhapsody at the base of modeling Ch＇u Tz＇u and Han Fues.