北京舞蹈学院学报
北京舞蹈學院學報
북경무도학원학보
Journal of Beijing Dance Academy
2015年
2期
95~98
,共null页
跳丧舞 土家族 族群 比较
跳喪舞 土傢族 族群 比較
도상무 토가족 족군 비교
funeral dance; Tujia nationality; ethnic group; comparative research
“撒尔嗬”即土家语中“跳丧”的意思,是鄂西清江流域一带以及湘西地区盛行的丧俗,也是土家文化中保存相对完整和古朴的民间文化。本文以地域为界,从舞蹈形态、音乐等诸方面比较两地跳丧舞异同,分析二者在族源及文化融合等方面的差异,以更好地为非物质文化遗产保护工作提供借鉴。
“撒爾嗬”即土傢語中“跳喪”的意思,是鄂西清江流域一帶以及湘西地區盛行的喪俗,也是土傢文化中保存相對完整和古樸的民間文化。本文以地域為界,從舞蹈形態、音樂等諸方麵比較兩地跳喪舞異同,分析二者在族源及文化融閤等方麵的差異,以更好地為非物質文化遺產保護工作提供藉鑒。
“살이하”즉토가어중“도상”적의사,시악서청강류역일대이급상서지구성행적상속,야시토가문화중보존상대완정화고박적민간문화。본문이지역위계,종무도형태、음악등제방면비교량지도상무이동,분석이자재족원급문화융합등방면적차이,이경호지위비물질문화유산보호공작제공차감。
"Sarlat-Ho-Ho" in Tujia language means "funeral dancing", which is distributed in Qingjiang River Valley area in western Hubei, as well as popular in western Hunan. It belongs to the folk cultural forms of Tujia nationality remaining relatively intact and unsophisticated. This paper, through the aspects of dance forms and musical forms, makes comparisons and contrasts of the multi- faced funeral dances between the two regions with the division of geographical boundaries. It concludes with their ethnic and cultural differences, providing references for the preservation of intangible cultural heritage.