CAJ | 학술논문

清代绘画的世俗化倾向是传统文人画余绪的终结和中国画现代形态的肇始。从吴门画派到扬州画派再到海上画派，是中国画世俗化递进的三个重要阶段。从绘画本体上分析清代绘画世俗化的两个代表性画派———扬州画派和海上画派，我们可以从绘画的题材、色彩、形式等方面看到他们同文人画传统之间产生的变化、拉开的距离和世俗化严谨的清晰脉络。清代绘画的世俗化过程是社会形态从“农”到“工”的转型，是艺术家从“士”到“商”的转型，是文人画职业化的过程。
청대회화적세속화경향시전통문인화여서적종결화중국화현대형태적조시。종오문화파도양주화파재도해상화파，시중국화세속화체진적삼개중요계단。종회화본체상분석청대회화세속화적량개대표성화파———양주화파화해상화파，아문가이종회화적제재、색채、형식등방면간도타문동문인화전통지간산생적변화、랍개적거리화세속화엄근적청석맥락。청대회화적세속화과정시사회형태종“농”도“공”적전형，시예술가종“사”도“상”적전형，시문인화직업화적과정。
secularization of paintings of Qing Dynasty is the termination of traditional literati painting, and be-ginning of the modern form of Chinese painting.From the Wumen school to Yangzhou school, then to Shanghai school, is the three important progressing stages of Chinese painting.Analysis of the two representatives of seculari-zation paintings of Yangzhou and Shanghai schools of Qing Dynasty, we can see changes and differences in theme, color, form, etc.between the traditional literati school and secular school.The process of secularization of Qing Dynasty is the change of social form from agricultural to industy, is the change from scholar to businessman of the artists, is a process professionalization of literati school.