陕西师范大学学报:哲学社会科学版
陝西師範大學學報:哲學社會科學版
협서사범대학학보:철학사회과학판
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
2015年
2期
44~53
,共null页
“太常四部乐” 唐玄宗 南诏献乐 乐部体制
“太常四部樂” 唐玄宗 南詔獻樂 樂部體製
“태상사부악” 당현종 남조헌악 악부체제
"the imperial high priesthood' s four-part symphony" ; Emperor of Xuan of the Tang Dynasty; Nanzhao offering music; composition of music department
唐代"太常四部乐"的史料极为简略,晚近学者对其性质和"乐部"构成的研究结论,至今尚有分歧,故还可以再作探讨。从时间上考察,此"四部乐"始于唐玄宗即位之初、唐睿宗退居"太上皇"而犹掌大政的特殊政局之下;其后用为皇太子"嘉礼"音乐。其政治性质和礼仪功能,与天子大朝会所用"十部乐"可谓异曲同工,但在礼乐制度规格上低一个等级。其乐部组成应为龟兹部、胡部、大鼓部和军乐部。唐德宗时南诏国进献的"四部乐",应是以盛唐"太常四部乐"为蓝本的仿制品。
唐代"太常四部樂"的史料極為簡略,晚近學者對其性質和"樂部"構成的研究結論,至今尚有分歧,故還可以再作探討。從時間上攷察,此"四部樂"始于唐玄宗即位之初、唐睿宗退居"太上皇"而猶掌大政的特殊政跼之下;其後用為皇太子"嘉禮"音樂。其政治性質和禮儀功能,與天子大朝會所用"十部樂"可謂異麯同工,但在禮樂製度規格上低一箇等級。其樂部組成應為龜玆部、鬍部、大鼓部和軍樂部。唐德宗時南詔國進獻的"四部樂",應是以盛唐"太常四部樂"為藍本的倣製品。
당대"태상사부악"적사료겁위간략,만근학자대기성질화"악부"구성적연구결론,지금상유분기,고환가이재작탐토。종시간상고찰,차"사부악"시우당현종즉위지초、당예종퇴거"태상황"이유장대정적특수정국지하;기후용위황태자"가례"음악。기정치성질화례의공능,여천자대조회소용"십부악"가위이곡동공,단재례악제도규격상저일개등급。기악부조성응위구자부、호부、대고부화군악부。당덕종시남조국진헌적"사부악",응시이성당"태상사부악"위람본적방제품。
Historical materials about "the imperial high priesthood' s four-part symphony" of the Tang Dynasty are few and rare. Up till now, opinions still differ in the latest results their organization and "musical parts", which allows enough room for re-examination. In terms of historical phases, "the four musical parts" started in the early reign of Emperor of Xuan and in the special political situation when Emperor of Rui still stayed in power after retired as the arch-emperor. After that it was used at the Prince' s ceremonies. Although it was different in form but equally satisfactory as "the ten-part symphony" at the imperial grand rite, it was lower in rank in the imperial ceremonial system of music. The symphony consisted of Qiuci, Barbarian, Great Drum and Military Music parts. In the reign of Emperor of De, Nanzhao offered a "four-part symphony", which hap- pened to be a copied version of "the imperial high priesthood' s four-part symphony".