CAJ | 학술논문

爱尔兰女作家约瑟芬·哈特的小说《毁灭》,是一部非常受欢迎的作品。它被改编成同名电影上演,被翻译成近30种文字,这些事实足以说明它的价值,但国内的讨论并不多。本文拟从后现代主义文化心理角度,并借助拉康的晚期概念,讨论《毁灭》中的一个重大主题：欲望,以揭示主人公的原始父亲欲望和美艳女人对主人公的欲望构建过程,表明在后俄狄浦斯时代,主人公在介于两种死亡之间的空间里试图通过僭越快乐原则、置社会伦理道德于不顾以追求欲望客体而导致家庭解体和自我毁灭的拉康悲剧思想。
애이란녀작가약슬분·합특적소설《훼멸》,시일부비상수환영적작품。타피개편성동명전영상연,피번역성근30충문자,저사사실족이설명타적개치,단국내적토론병불다。본문의종후현대주의문화심리각도,병차조랍강적만기개념,토론《훼멸》중적일개중대주제：욕망,이게시주인공적원시부친욕망화미염녀인대주인공적욕망구건과정,표명재후아적포사시대,주인공재개우량충사망지간적공간리시도통과참월쾌악원칙、치사회윤리도덕우불고이추구욕망객체이도치가정해체화자아훼멸적랍강비극사상。
From the perspective of the postmoderu cultural psychology, the present paper, in the light of Jacques Lacan＇ s late concepts, aims at an interpretation of the desire of the hero as the primordial father, in whom is constructed the desire by a femme fatale, the heroine in Damage written by Josephine Hart, an Irish woman writer. A Laeanian tragic elucidation runs throughout the present paper that the hero, in the space between life and death, transgresses in vain the ＂pleasure principle＂ regardless of the social ethic moral, which results in the familial disintegration as well as his tragic downfall from his successful career.