CAJ | 학술논문

当把中国年画的发展放进中国艺术史的大背景之中,发现年画与主流绘画的发展呈现出由融合到分离的过程,唐宋以后就开始了明显的分道扬镳,并很快随着社会的发展而形成了相互独立和长期疏离的态势。而造成这种相互独立而疏离状态的主要原因,是因为在长期的历史中,两者的创作队伍是相互独立而泾渭分明的。可以说,年画的发展历史集中而典型地表现了中国民间艺术一种独特的发展形态,折射出了中国民间艺术在中国艺术史中的薄弱地位。中国文人绘画与民间绘画的相互独立状态对中国艺术史的总体发展既产生了积极的影响,也在一定程度上限制了中国艺术变革的力度。
당파중국년화적발전방진중국예술사적대배경지중,발현년화여주류회화적발전정현출유융합도분리적과정,당송이후취개시료명현적분도양표,병흔쾌수착사회적발전이형성료상호독립화장기소리적태세。이조성저충상호독립이소리상태적주요원인,시인위재장기적역사중,량자적창작대오시상호독립이경위분명적。가이설,년화적발전역사집중이전형지표현료중국민간예술일충독특적발전형태,절사출료중국민간예술재중국예술사중적박약지위。중국문인회화여민간회화적상호독립상태대중국예술사적총체발전기산생료적겁적영향,야재일정정도상한제료중국예술변혁적력도。
When the traditional Chinese New Year paintings are put into the background of the development of Chinese art history, a change from separation to fusion can be seen between the development of the traditional Chinese New Year paintings and literati paintings： a clear split can be first seen in Tang and Song, and soon along with the development of society, a state of alienation has gradually been formed. The main reason is that, in the long history, the artists of these two kinds of paintings are isolated and independent from each other. The development of the traditional Chinese New Year paintings can be seen as typically showing the way how the Chinese folk art develops through time, which indicates the history of Chinese folk art has long been overlooked in the studies of Chinese art history. When further compared with the development of Western art, we can see that the isolation of Chinese literati paintings and folk paintings have both positive and negative impacts on the development of Chinese art history.