CAJ | 학술논문

张恨水的《春明外史》《金粉世家》《啼笑因缘》,展示了清倌人、坤伶而女学生相衔接的社交形象系列。作为一般社会的映像：彳亍辗转于女性解放道上的中国世俗女子,其主体暧昧;通俗小说家的叙述主体也进退维艰,其想象也新旧杂陈。进退失据,正是中国一般社会女子解放的实在处境,在精英叙述之外,张恨水有不可替代的价值。
장한수적《춘명외사》《금분세가》《제소인연》,전시료청관인、곤령이녀학생상함접적사교형상계렬。작위일반사회적영상：척촉전전우녀성해방도상적중국세속녀자,기주체애매;통속소설가적서술주체야진퇴유간,기상상야신구잡진。진퇴실거,정시중국일반사회녀자해방적실재처경,재정영서술지외,장한수유불가체대적개치。
Zhang Henshui＇s An Unofficial History of Chun Ming , A Noble Family and Sadness and Happiness, a series of images of in social intercourse are presented, including Guanren, Kunling and female students. As common social reflection, these social women struggled for their liberation, but the subject is ambiguous. The subject of the popular novelists＇ narrative is in a dilemma and in their imagination the new is mixed with the old. The dilemma is the reality of common social women and Zhang Henshui played an irrevlaceahle role besides elite narrative.