当代外国文学
噹代外國文學
당대외국문학
Contemporary Foreign Literature
2015年
2期
72~79
,共null页
伊恩·麦克尤恩 《阿姆斯特丹》 互文性 反讽
伊恩·麥剋尤恩 《阿姆斯特丹》 互文性 反諷
이은·맥극우은 《아모사특단》 호문성 반풍
Ian McEwan, Amsterdam, intertextuality, irony
伊恩·麦克尤恩可谓当代英国文坛的常青树，他的诸多作品已经从评论家的最爱变成了普通读者的宠儿。本文着眼于1998年为麦克尤恩夺取布克奖的小说《阿姆斯特丹》，聚焦作品的叙事策略，从互文性和反讽两个方面展示这部小说的艺术魅力。
伊恩·麥剋尤恩可謂噹代英國文罈的常青樹，他的諸多作品已經從評論傢的最愛變成瞭普通讀者的寵兒。本文著眼于1998年為麥剋尤恩奪取佈剋獎的小說《阿姆斯特丹》，聚焦作品的敘事策略，從互文性和反諷兩箇方麵展示這部小說的藝術魅力。
이은·맥극우은가위당대영국문단적상청수，타적제다작품이경종평론가적최애변성료보통독자적총인。본문착안우1998년위맥극우은탈취포극장적소설《아모사특단》，취초작품적서사책략，종호문성화반풍량개방면전시저부소설적예술매력。
Most of the works by Ian McEwen, arguably the most prolific and popular of contemporary British novelists, have undergone critical scrutiny from various perspectives. Curiously enough, Amsterdam, the novel that won him a Booker prize in 1998, has received little critical attention. This article attempts to address this inadequacy in McEwen studies by exploring two major narrative strategies in Amsterdam, intertextuality and irony, to shed light on the meaning of the novel.
