当代外国文学
噹代外國文學
당대외국문학
Contemporary Foreign Literature
2015年
2期
104~110
,共null页
谢默斯·希尼 “倾听” 诗学 诗学实践
謝默斯·希尼 “傾聽” 詩學 詩學實踐
사묵사·희니 “경은” 시학 시학실천
Seamus Heaney, listening, poetics, poetic practice
在对希尼作品中听觉和声音要素的研究里,有关他“倾听”的诗学思想及其实践鲜有评述.希尼作为一个听觉诗人,将他的“倾听”理念浓缩嵌置于诗文创作中.鉴于此,本文试图结合文本揭示其“倾听”思想及其诗学实践：通过“听觉地窖”的储存、“原始音调”的模仿和“个人音调”的探测这一系列的“倾听”实践,使得诗歌能够缔造一种既忠实于外部真实的冲击,又敏感于诗人存在的内部法则的秩序.
在對希尼作品中聽覺和聲音要素的研究裏,有關他“傾聽”的詩學思想及其實踐鮮有評述.希尼作為一箇聽覺詩人,將他的“傾聽”理唸濃縮嵌置于詩文創作中.鑒于此,本文試圖結閤文本揭示其“傾聽”思想及其詩學實踐：通過“聽覺地窖”的儲存、“原始音調”的模倣和“箇人音調”的探測這一繫列的“傾聽”實踐,使得詩歌能夠締造一種既忠實于外部真實的遲擊,又敏感于詩人存在的內部法則的秩序.
재대희니작품중은각화성음요소적연구리,유관타“경은”적시학사상급기실천선유평술.희니작위일개은각시인,장타적“경은”이념농축감치우시문창작중.감우차,본문시도결합문본게시기“경은”사상급기시학실천：통과“은각지교”적저존、“원시음조”적모방화“개인음조”적탐측저일계렬적“경은”실천,사득시가능구체조일충기충실우외부진실적충격,우민감우시인존재적내부법칙적질서.
Despite previous studies concerning the aural elements in Seamus Heaney＇s poetry, few have examined Heaney＇s practice of poetic listening. As a poet with an acute ear for the sounds of the world, Heaney translates what he has heard into his poems and creates his poetics of listening. This paper argues that through the deposit of “Listening Cellar”, the imitation of “Original Accents”and the sounding of “Personal Voice”, Heaney＇s poetry can make an order as true to the impact of external reality and as sensitive to the inner laws of the poet＇s being.
