CAJ | 학술논문

美国黑人小说作家沃尔特·莫斯里的犯罪小说《蓝衣魔鬼》围绕着后殖民主义时期黑人男性的故事展开。从社会性别身份建构和文化表演理论的视角观察,黑人男性在其身份建构过程中经历了异化,但为了谋求社会的认可有意识地主动同化。受种族歧视的规限,其主体呈现出分裂性特征。这样的分析,有助于我们从种族主义、特定社会文化对身份建构的规限作用,以及黑人群体的自我身份定位等方面理解战后黑人男性如何应对自身经历的身份危机。
미국흑인소설작가옥이특·막사리적범죄소설《람의마귀》위요착후식민주의시기흑인남성적고사전개。종사회성별신빈건구화문화표연이론적시각관찰,흑인남성재기신빈건구과정중경력료이화,단위료모구사회적인가유의식지주동동화。수충족기시적규한,기주체정현출분렬성특정。저양적분석,유조우아문종충족주의、특정사회문화대신빈건구적규한작용,이급흑인군체적자아신빈정위등방면리해전후흑인남성여하응대자신경력적신빈위궤。
With the black male characters in Walter Mosley＇s novel Devil In a Blue Dress as the research object, this pa- per aims to present and analyze the dissimilation experienced by the black males when constructing their own masculine subjectivity, the voluntary assimilation they displayed when searching for social recognition and the splitting nature of their masculinity caused by racism from the post--colonialism perspective. With the adoption of gender performance and culture performance theory, this paper also intends to make research about how the black males dealt with their identity crisis from the aspects of racism and restrictive effects the specific social culture had on identity construction and the self-- identification of black males for themselves.