CAJ | 학술논문

少数民族女性文学研究领域正发生一场学术转型,即从单纯的女性创作评价转向对科学性别理论的建构,意味着少数民族女性文学的批评话语体系面临革新,其作为同时具有种族、阶级、性别三大属性的文学类型,必须谨防不同维度交叉的研究疏漏与过渡阐释。在此,从隐性异化、双性同体与性别话语权的角度,分别提出了少数民族女性文学研究在概念、方法论、创作观方面的核心命题,探讨了少数民族女性文学的性别价值倚重,两性关系嫁接以及创作理论支点选择的不合理。
소수민족녀성문학연구영역정발생일장학술전형,즉종단순적녀성창작평개전향대과학성별이론적건구,의미착소수민족녀성문학적비평화어체계면림혁신,기작위동시구유충족、계급、성별삼대속성적문학류형,필수근방불동유도교차적연구소루여과도천석。재차,종은성이화、쌍성동체여성별화어권적각도,분별제출료소수민족녀성문학연구재개념、방법론、창작관방면적핵심명제,탐토료소수민족녀성문학적성별개치의중,량성관계가접이급창작이론지점선택적불합리。
Minority female literature research is undergoing an academic transformation, that is, from pure female writing evaluation to the theoretical construction of scientific sex, meaning that minority female literary criticism discourse system innovation, as, at the same time, with race, class, gender, the three attributes of literature types, must be aware of different dimension crossover study omissions and transition. Alienation from the recessive, parts from the perspective of gender discourse, respectively, put forward the concept of ethnic minority women in literary study, methodology, literary view on the core proposition. We discuss the minority female literature value based on gender, gender relationship grafting, and creative theory fulcrum of choice is not reasonable.