戏剧艺术
戲劇藝術
희극예술
Theatre Arts
2015年
3期
4~12
,共null页
舞台美术 新概念 舞台美术设计者-演出作者 城市空间 戏剧化 去物质化 跨界 交错 外延
舞檯美術 新概唸 舞檯美術設計者-縯齣作者 城市空間 戲劇化 去物質化 跨界 交錯 外延
무태미술 신개념 무태미술설계자-연출작자 성시공간 희극화 거물질화 과계 교착 외연
stage design; new concept; stage designer-creator of stage production; urban space;dramatization; dematerialization; trans-boundary; interblending; expansion
进入新世纪以来，舞台美术连同整个戏剧继续发生着深刻的变化。舞台美术设计者已作为演出作者而存在；戏剧可以在任何地点发生；舞台出现了去物质化的趋势。这些现象说明，戏剧或舞台美术原有方式和概念的界限在向外延展，与之相关因素之间的界限在相互交错。这无疑代表着舞台美术发展的最新趋势和特点。
進入新世紀以來，舞檯美術連同整箇戲劇繼續髮生著深刻的變化。舞檯美術設計者已作為縯齣作者而存在；戲劇可以在任何地點髮生；舞檯齣現瞭去物質化的趨勢。這些現象說明，戲劇或舞檯美術原有方式和概唸的界限在嚮外延展，與之相關因素之間的界限在相互交錯。這無疑代錶著舞檯美術髮展的最新趨勢和特點。
진입신세기이래，무태미술련동정개희극계속발생착심각적변화。무태미술설계자이작위연출작자이존재；희극가이재임하지점발생；무태출현료거물질화적추세。저사현상설명，희극혹무태미술원유방식화개념적계한재향외연전，여지상관인소지간적계한재상호교착。저무의대표착무태미술발전적최신추세화특점。
Stage design has been undergoing severe changes since the turn of the century. Stage designer is now becoming one of the creators of the stage production; a play can be performed at any spot; the stage, to some extent, has some tendency of being dematerialized. These phenomena demonstrate the expansion of both the methods and ideas reflected from plays or stage design, and the interblending of their relevant elements, which is a new tendency in the development of Chinese stage art.
