戏剧艺术
戲劇藝術
희극예술
Theatre Arts
2015年
3期
20~25
,共null页
舞台绘景 二度创作 个性与共性 真与假 虚与实 戏剧本质
舞檯繪景 二度創作 箇性與共性 真與假 虛與實 戲劇本質
무태회경 이도창작 개성여공성 진여가 허여실 희극본질
stage scenery; re-creation; individuality and universality; the realistic and the hypothetical;the void and the actual; essential principles of the play
作为戏剧演出空间的视觉形象载体，舞台绘景通常根据剧目的要求来参与构造舞台空间。我们把舞台绘景从素材到与戏剧新理念匹配的呈现过程，称为二度创作。二度创作鲜明地反映出舞台绘景与戏剧系统之间“个性”与“共性”、“真”与“假”、“虚”与“实”等关系。舞台绘景的终极价值不仅是为了再现戏剧场景，更是为了营造戏剧及表演空间。舞台绘景只有把握住戏剧的本质规律．才能赋予它清新的格调与鲜活的生命。
作為戲劇縯齣空間的視覺形象載體，舞檯繪景通常根據劇目的要求來參與構造舞檯空間。我們把舞檯繪景從素材到與戲劇新理唸匹配的呈現過程，稱為二度創作。二度創作鮮明地反映齣舞檯繪景與戲劇繫統之間“箇性”與“共性”、“真”與“假”、“虛”與“實”等關繫。舞檯繪景的終極價值不僅是為瞭再現戲劇場景，更是為瞭營造戲劇及錶縯空間。舞檯繪景隻有把握住戲劇的本質規律．纔能賦予它清新的格調與鮮活的生命。
작위희극연출공간적시각형상재체，무태회경통상근거극목적요구래삼여구조무태공간。아문파무태회경종소재도여희극신이념필배적정현과정，칭위이도창작。이도창작선명지반영출무태회경여희극계통지간“개성”여“공성”、“진”여“가”、“허”여“실”등관계。무태회경적종겁개치불부시위료재현희극장경，경시위료영조희극급표연공간。무태회경지유파악주희극적본질규률．재능부여타청신적격조여선활적생명。
Stage scenery as the visual background of the dramatic performance is usually a means of constructing the space according to the play. The process of matching the raw materials with the dramatic ideas in scenery design is known as re-creation. The re-creation demonstrates the dualities of ＂individuality＂ and ＂universality＂, of the ＂realistic＂ and the ＂hypothetical＂, of the ＂void＂ and the ＂actual＂ in stage scenery and the dramatic system. The ultimate value of stage scenery is not to imitate or to reproduce, but to create spaces for drama and for acting. Stage scenery can add life and vivacity to a play only when it is made in accordance with its essential principles
