CAJ | 학술논문

郑正秋通过拒绝外稿的方式，使其主持的剧评专栏事实上成为他的个人专栏。成为职业剧评的滥觞。郑氏虽然很少言及其剧评理念，但他在剧评实践中显露出来的“立公平之言”剧评原则、“社会教育”与“雅俗共赏”并重的剧评立场，远超同时代的剧评家。尤其是郑正秋对剧评“一致性”的强调，显露出其建构自身剧评体系的理论自觉，对推动传统剧评的现代发展意义重大。
정정추통과거절외고적방식，사기주지적극평전란사실상성위타적개인전란。성위직업극평적람상。정씨수연흔소언급기극평이념，단타재극평실천중현로출래적“립공평지언”극평원칙、“사회교육”여“아속공상”병중적극평립장，원초동시대적극평가。우기시정정추대극평“일치성”적강조，현로출기건구자신극평체계적이론자각，대추동전통극평적현대발전의의중대。
Through the process of exclusively publishing his own works, Zheng Zhengqiu turned himself from the host into the sole contributor of his column on dramatic criticism, and turned the column into the starting point of professional dramatic criticism in China. Zheng seldom theorized in his criticism, but his principle of ＂impartiality＂ and his attitude toward balancing the ＂social education＂ and the ＂appeal to highbrows and lowbrows＂ were far ahead of his time. Zheng placed emphasis on the ＂consistence＂ of dramatic criticism, which reflects a theoretical awareness that helped him build his own system of dramatic criticism and accelerate the modernization of traditional dramatic criticism.