CAJ | 학술논문

句法作为中国古代诗学的重要范畴，一直以来关注甚少，句法概念的内涵在各种著作中也指涉不一，语法层面的解读在某种程度上偏离了句法本身的诗学意义。诗歌句法实质上是一个诗学范畴，是形式与意义的统一，是指诗歌中能够获得审美意义的语词选择与组合方法。句法既是创作方法，也是批评方法，句法的演进与诗歌体式格律变化与“诗家语”的追求密切相关。
구법작위중국고대시학적중요범주，일직이래관주심소，구법개념적내함재각충저작중야지섭불일，어법층면적해독재모충정도상편리료구법본신적시학의의。시가구법실질상시일개시학범주，시형식여의의적통일，시지시가중능구획득심미의의적어사선택여조합방법。구법기시창작방법，야시비평방법，구법적연진여시가체식격률변화여“시가어”적추구밀절상관。
Syntax, as an important category of ancient Chinese poetics, has been paid less attention. The con- notation of the syntax concept varies a great deal in the various writings. The interpretation at the level of gram- mar, to some extent, deviates from the poetic meaning of syntax itself. The syntax in poetry, essentially as a po- etic category, is the unity of form and meaning, which refers to the selection and combination method of the words that can obtain the aesthetic meaning in poetry. Syntax functions as the creation and criticism methods, and its evolution is closely related to the changes of poetic style and meter, as well as the pursuit of ＂poets＇ dic- tion＂.