CAJ | 학술논문

在法国哲学家利奥塔以＂后现代思想家＂的面孔登上西方学术舞台之前,他的后现代崇高美学思想就已经在其关于欲望美学的论述中初见端倪。《话语,图像》是利奥塔关于欲望美学的最主要著作。通过对这本＂为图像正名＂的书加以解析,可以发现,欲望美学至少在三个层面上为利奥塔的后现代崇高美学奠定了基础,即对总体性的怀疑、真理的事件特性、艺术对欲望不可呈现性的呈现。
재법국철학가리오탑이＂후현대사상가＂적면공등상서방학술무태지전,타적후현대숭고미학사상취이경재기관우욕망미학적논술중초견단예。《화어,도상》시리오탑관우욕망미학적최주요저작。통과대저본＂위도상정명＂적서가이해석,가이발현,욕망미학지소재삼개층면상위리오탑적후현대숭고미학전정료기출,즉대총체성적부의、진리적사건특성、예술대욕망불가정현성적정현。
Before stepping onto the Western academic stage as a postmodern thinker, the French philosopher Lyotard＇ s postmodern sublime aesthetics had already been revealed in his theories on libidinal aesthetics. Discourse, Figure is representative of Lyotard＇ s libidinal aesthetics in which he justified the language of the figure. Through this book, we can fmd that Lyotard＇ s libidinal aesthetics laid foundations for his postmodern sublime aesthetics in at least three points： doubt about totality, the event character of truth, and the artistic presentation of the unpresentable libido.