敦煌研究
敦煌研究
돈황연구
Dunhuang Research
2015年
3期
1~10
,共null页
克孜尔第123窟 定光佛授记 陶工浴佛 誓愿画 菩萨道
剋孜爾第123窟 定光彿授記 陶工浴彿 誓願畫 菩薩道
극자이제123굴 정광불수기 도공욕불 서원화 보살도
Cave 123 of the Kizil Grottoes; prediction of Dipamkara Buddha; potters bathing the Buddha; paintings of pranidhi; way of bodhisattva
克孜尔中心柱窟第123窟，主室侧壁的两幅壁画非常特殊，一反主室侧壁绘以坐佛为中心的说法图的规律，而是绘以立佛为中心的大型叙事画。这两幅壁画非常精美，是佛教艺术史上的精品。不过，这两幅壁画的内容和主题，至今尚未有人进行过专门研究。本文旨在探讨这两幅壁画的主题与意义，从性质及其构图分析它们与誓愿画的联系，指出它们应是誓愿画的先驱。并进一步揭示誓愿画背后所反映的菩萨思想。接受、提倡菩萨思想是7世纪以后中亚小乘部派的一大重要转变。
剋孜爾中心柱窟第123窟，主室側壁的兩幅壁畫非常特殊，一反主室側壁繪以坐彿為中心的說法圖的規律，而是繪以立彿為中心的大型敘事畫。這兩幅壁畫非常精美，是彿教藝術史上的精品。不過，這兩幅壁畫的內容和主題，至今尚未有人進行過專門研究。本文旨在探討這兩幅壁畫的主題與意義，從性質及其構圖分析它們與誓願畫的聯繫，指齣它們應是誓願畫的先驅。併進一步揭示誓願畫揹後所反映的菩薩思想。接受、提倡菩薩思想是7世紀以後中亞小乘部派的一大重要轉變。
극자이중심주굴제123굴，주실측벽적량폭벽화비상특수，일반주실측벽회이좌불위중심적설법도적규률，이시회이립불위중심적대형서사화。저량폭벽화비상정미，시불교예술사상적정품。불과，저량폭벽화적내용화주제，지금상미유인진행과전문연구。본문지재탐토저량폭벽화적주제여의의，종성질급기구도분석타문여서원화적련계，지출타문응시서원화적선구。병진일보게시서원화배후소반영적보살사상。접수、제창보살사상시7세기이후중아소승부파적일대중요전변。
Among the central-pillared caves at the Kizil Grottoes, the two wall paintings on the side walls in the main chamber of cave 123 are very special. They are large narrative paintings focusing on a standing central Buddha and are completely different from the pattern of the preaching scenes on the side walls in the main chamber that mainly represent a sitting Buddha in the center. Both paintings are beautiful masterpieces of Buddhist art yet no research has been done on their contents and themes so far. This paper discusses the theme and meaning of the two paintings, analyzes the relationships in nature and composition between them and the paintings of pranidhi, and finally makes it clear that they are precursors of the paintings of pranidhi. It further elucidates the Bodhisattva philosophy underlying the paintings of pranidhi, noting that accepting and advocating the thought of Bodhisattva was a great change in Central Asian Hinayana Buddhism during the 7th century.
