CAJ | 학술논문

活跃在明治末年至大正时期日本文坛之上的女性作家田村俊子，站在日本近代女性写作的源头，通过《女作者》一文淋漓尽致地塑造了一位为写作而殚精竭虑、痛苦煎熬的“女作者”的生动形象。在本论中，笔者通过细读文本，从“写作”与“表演”的时代共性这一新的视角切入，将重点放在“女作者”的创作过程和其作品的文体特征，并将同时代的文坛、社会背景等纳入视野之中，来探讨“女作者”是如何在男性作家群中发出自己的声音，进而论证作为发声主体的“女作者”在写作上的局限性和打开写作困境的可能性。
활약재명치말년지대정시기일본문단지상적녀성작가전촌준자，참재일본근대녀성사작적원두，통과《녀작자》일문림리진치지소조료일위위사작이탄정갈필、통고전오적“녀작자”적생동형상。재본론중，필자통과세독문본，종“사작”여“표연”적시대공성저일신적시각절입，장중점방재“녀작자”적창작과정화기작품적문체특정，병장동시대적문단、사회배경등납입시야지중，래탐토“녀작자”시여하재남성작가군중발출자기적성음，진이론증작위발성주체적“녀작자”재사작상적국한성화타개사작곤경적가능성。
Tamura Toshiko who flourished in the literary world from end of Meiji Era to the Taisho Period, standing in the cradle of the modem Japan female writing, by the novel of Authoress, incisively created a vivid character of a female author who suffered the torture and racked her brains on the writings. In this paper, by perusing the text, the paper-writer comes straight to the point from the new perspective of common character of writing and performance,emphasizes creation of Authoress and her stylistic features, and puts the society backgrounds and literary world of same age into the field of vision. By all these means, the paper-writer intend to probe into how Authoress raised the voice among the galaxy of male writers, furthermore demonstrates on voicing heroine Authoress＇ writing limitation and possibility of shaking off plight in writing limitation