CAJ | 학술논문

西方最早在研究现代性问题上,尤为注重＂人＂作为主体的精神世界的构建,以及它对世界和社会产生的重大影响。早期的西方社会,将理性不但贯穿于自然科学领域中,同样也被不自觉地带入艺术领域。笔者认为,审美现代性具有＂理性原则＂、＂自我＂和＂主体意识＂的三重表现,并试以舞蹈作品中的审美现代性内涵作为研究对象,分别从舞蹈作品的题材选择、动作语汇、调度语言、舞蹈意境方面具体分析审美现代性的反省与自律特征以及＂自我批判＂的进步性意义,希望能为舞蹈作品创作提供借鉴与思考。
서방최조재연구현대성문제상,우위주중＂인＂작위주체적정신세계적구건,이급타대세계화사회산생적중대영향。조기적서방사회,장이성불단관천우자연과학영역중,동양야피불자각지대입예술영역。필자인위,심미현대성구유＂이성원칙＂、＂자아＂화＂주체의식＂적삼중표현,병시이무도작품중적심미현대성내함작위연구대상,분별종무도작품적제재선택、동작어회、조도어언、무도의경방면구체분석심미현대성적반성여자률특정이급＂자아비판＂적진보성의의,희망능위무도작품창작제공차감여사고。
Western scholars,when doing research on modernity,consider ＂human＂as the construction of subjectively spiritual world,and emphasize its great impact on the whole world and society. In early modern society,westerners tended to bring rationality not only into the field of natural sciences,but also into artistic creations. This paper argues that the aesthetic modernity manifests itself in three aspects： rational principles,egoism and subjective consciousness. It focuses on the connotations of aesthetic modernity in dance works,and analyses the following aspects： the choice of dance works themes,the vocabulary of dance movements,the languages of staged directions,the artistic conceptions of dance works. This paper attempts to elucidate the reflections of aesthetic modernity and progressive significance of ＂self- criticism＂in the hope of providing references and thoughts for dance works creation.