CAJ | 학술논문

＂传统＂与＂当代＂的关系问题是近年来关于中国古典舞争论的焦点之一。从艺术发展的一般规律来看,传承基础上的＂当代化＂是艺术发展的必由之路,而＂古典＂是一个具有相对性的历史概念。在表象断裂的背后,传统历经周折如江河之流绵延下来,古典即如沿途之景,也在不断重建之中渐成名胜。＂中国古典舞＂缘起于新的经济基础建立之后的文化反思,是特定历史文化的产物。业已形成的＂中国古典舞＂是面向时代、面向观众的舞蹈艺术,身韵、汉唐、敦煌诸派皆已在传统文化之流上找到了各自的位置,且其注入时代思潮、吸收其他舞蹈元素发展自身,符合艺术发展的必然规律。中国古典舞的当代发展有赖于自觉的文化寻根与理性的当代化。历史文化意义上的中国古典舞复原工作则需要由研究者主导去做。
＂전통＂여＂당대＂적관계문제시근년래관우중국고전무쟁론적초점지일。종예술발전적일반규률래간,전승기출상적＂당대화＂시예술발전적필유지로,이＂고전＂시일개구유상대성적역사개념。재표상단렬적배후,전통력경주절여강하지류면연하래,고전즉여연도지경,야재불단중건지중점성명성。＂중국고전무＂연기우신적경제기출건립지후적문화반사,시특정역사문화적산물。업이형성적＂중국고전무＂시면향시대、면향관음적무도예술,신운、한당、돈황제파개이재전통문화지류상조도료각자적위치,차기주입시대사조、흡수기타무도원소발전자신,부합예술발전적필연규률。중국고전무적당대발전유뢰우자각적문화심근여이성적당대화。역사문화의의상적중국고전무복원공작칙수요유연구자주도거주。
The relationship between ＂ tradition＂ and ＂ contemporarization＂ is one of the focuses of the debate about Chinese classical dance in recent years. By the general law of art development,＂contemporarization＂ that bases on inheriting is the necessary way for the development of art,while ＂ classical＂ is a historical concept with relativity. Behind the rupture of presentation,the tradition flows forward constantly like a river after all sorts of twists and turns,while as the scenery along the way,＂classical＂is also gradually reconstructed into places of interest. ＂ Chinese classical dance＂ origins in the cultural reflection after the new economic basis has been found,which is the product of specific history and culture. ＂ Chinese classical dance＂,a dance art form,must face the age and the audience. Shenyun,Han Tang,and Dunhuang have all found their own positions on traditional culture,and their injecting zeitgeist and absorbing other dance elements to develop themselves,conform to the inevitable law of art development. The contemporary development of Chinese classical dance depends on the self-conscious cultural roots-seeking and rational contemporarization. The restoring of Chinese classical dance on historical and cultural significance requires endeavors from researchers.