安徽农业大学学报：社会科学版
安徽農業大學學報：社會科學版
안휘농업대학학보：사회과학판
Journal of Anhui Agricultural University（Philosophy & Social Sciences Edition)
2015年
4期
92~97
,共null页
正字戏 三元记 青阳腔 弋阳腔 断机教子
正字戲 三元記 青暘腔 弋暘腔 斷機教子
정자희 삼원기 청양강 익양강 단궤교자
Zhengzi opera; Sanyuanji; Qingyangqiang opera; Yiyangqiang opera; the play of Duanji Jiaozi
《三元记》是明代重要的传奇作品，也是正字戏重要的传统剧目。正字戏《三元记》与明代弋阳腔、青阳腔《三元记》有着千丝万缕的联系。相对于弋阳腔刊本，正字戏《三元记》在关目设置、人物形象的塑造上更接近于青阳腔系统刊本。而在“改调而歌”的过程中，正字戏受青阳腔“滚调”影响较深，它将青阳腔刊本中的“滚白”“滚唱”改编为“畅滚”，同时也对青阳腔系统刊本做出了符合“舞台化”需要的自我改编。因此，正字戏《三元记》应是在青阳腔系统底本上改编而成的。
《三元記》是明代重要的傳奇作品，也是正字戲重要的傳統劇目。正字戲《三元記》與明代弋暘腔、青暘腔《三元記》有著韆絲萬縷的聯繫。相對于弋暘腔刊本，正字戲《三元記》在關目設置、人物形象的塑造上更接近于青暘腔繫統刊本。而在“改調而歌”的過程中，正字戲受青暘腔“滾調”影響較深，它將青暘腔刊本中的“滾白”“滾唱”改編為“暢滾”，同時也對青暘腔繫統刊本做齣瞭符閤“舞檯化”需要的自我改編。因此，正字戲《三元記》應是在青暘腔繫統底本上改編而成的。
《삼원기》시명대중요적전기작품，야시정자희중요적전통극목。정자희《삼원기》여명대익양강、청양강《삼원기》유착천사만루적련계。상대우익양강간본，정자희《삼원기》재관목설치、인물형상적소조상경접근우청양강계통간본。이재“개조이가”적과정중，정자희수청양강“곤조”영향교심，타장청양강간본중적“곤백”“곤창”개편위“창곤”，동시야대청양강계통간본주출료부합“무태화”수요적자아개편。인차，정자희《삼원기》응시재청양강계통저본상개편이성적。
Sanyuanji is an important repertoire of legendary opera written in the Ming Dynasty, and a traditional repertoire of Zhengzi opera. The Zhengzi opera ＂Sanyuanji＂ has a close connection with those of the Yiyangqiang opera and Qingyangqiang opera. The plot arrangement and characterization of the Zhengzi opera Sanyuanji is closer to that of the Qingyangqiang opera than that of the Yiyangqiang opera. In the process of adaptation, Zhengzi opera was deeply influenced by Qingyangqiang opera, of which the ＂long spoken parts＂ and ＂long lyrics＂ were adapted into ＂super long lyrics＂ in Zhengzi opera. At the meantime, Zhengzi opera adapted the text of Qingyangqiang opera and made it suitable for stage performance. Therefore, it can be concluded that the Zhengzi Opera Sanyuanji was adapted from the text of Qingyangqiang opera.
