重庆邮电大学学报：社会科学版
重慶郵電大學學報：社會科學版
중경유전대학학보：사회과학판
Journal of Chongqing University of Posts and Telecommunications:Social Science Edition
2015年
4期
147~150
,共null页
油画创作题材 民族化 表现形式
油畫創作題材 民族化 錶現形式
유화창작제재 민족화 표현형식
oil painting creation theme; nationalization; expressive forms
油画艺术自明代从西方传入中国后,在一百多年的发展历程中不断与中国本土文化相融合,逐步形成了鲜明的民族风格,主要表现为：在创作上不仅采用富有中国特色的自然和人文题材,还特别钟情于少数民族题材;在艺术表现形式方面借鉴了中国传统艺术的特点,具体表现在构图、线条和意境等方面。
油畫藝術自明代從西方傳入中國後,在一百多年的髮展歷程中不斷與中國本土文化相融閤,逐步形成瞭鮮明的民族風格,主要錶現為：在創作上不僅採用富有中國特色的自然和人文題材,還特彆鐘情于少數民族題材;在藝術錶現形式方麵藉鑒瞭中國傳統藝術的特點,具體錶現在構圖、線條和意境等方麵。
유화예술자명대종서방전입중국후,재일백다년적발전역정중불단여중국본토문화상융합,축보형성료선명적민족풍격,주요표현위：재창작상불부채용부유중국특색적자연화인문제재,환특별종정우소수민족제재;재예술표현형식방면차감료중국전통예술적특점,구체표현재구도、선조화의경등방면。
Communications and clashes between cultures are the driving force on art in every period. Since oil painting was introduced into China over 100 years ago,it has been merged into Chinese culture and been continuously absorbed and improved. This paper is aimed to impose some brief analysis on the history of nationalization of oil painting and some questions emerging from the development of Chinese oil painting. Some discussions are held over some aspects like what kind of oil painting could better embody Chinese spirit and the expressive forms of Chinese style oil painting.
