知识产权
知識產權
지식산권
Intellectual Property
2015年
7期
41~48
,共null页
表演者权 广播获酬权 《北京条约》
錶縯者權 廣播穫酬權 《北京條約》
표연자권 엄파획수권 《북경조약》
performer＇s right; right of remuneration on broadcasting; Beijing Treaty
传播技术的发展打破了已有的著作权利益格局，表演者对其已固定表演的“二次使用”逐渐失去控制，出现了表演者利益失衡的现象。表演者广播获酬权是指表演者享有的因广播电台使用其已固定的表演而获得合理报酬的权利，是对信息时代表演者与广播之间利益的重新平衡。赋予表演者以广播获酬权是著作权的立法趋势。传播技术的革命催生了建立表演者广播获酬权的必要性，表演者从其已固定表演的“二次使用”中获得合理的经济利益具有正当性。我国著作权法未来修订中应明确增加表演者广播获酬权条款，尽快推动建立表演者集体管理组织，积极参与国际权利组织构建，逐步取消对《北京条约》第11条的保留。
傳播技術的髮展打破瞭已有的著作權利益格跼，錶縯者對其已固定錶縯的“二次使用”逐漸失去控製，齣現瞭錶縯者利益失衡的現象。錶縯者廣播穫酬權是指錶縯者享有的因廣播電檯使用其已固定的錶縯而穫得閤理報酬的權利，是對信息時代錶縯者與廣播之間利益的重新平衡。賦予錶縯者以廣播穫酬權是著作權的立法趨勢。傳播技術的革命催生瞭建立錶縯者廣播穫酬權的必要性，錶縯者從其已固定錶縯的“二次使用”中穫得閤理的經濟利益具有正噹性。我國著作權法未來脩訂中應明確增加錶縯者廣播穫酬權條款，儘快推動建立錶縯者集體管理組織，積極參與國際權利組織構建，逐步取消對《北京條約》第11條的保留。
전파기술적발전타파료이유적저작권이익격국，표연자대기이고정표연적“이차사용”축점실거공제，출현료표연자이익실형적현상。표연자엄파획수권시지표연자향유적인엄파전태사용기이고정적표연이획득합리보수적권리，시대신식시대표연자여엄파지간이익적중신평형。부여표연자이엄파획수권시저작권적입법추세。전파기술적혁명최생료건립표연자엄파획수권적필요성，표연자종기이고정표연적“이차사용”중획득합리적경제이익구유정당성。아국저작권법미래수정중응명학증가표연자엄파획수권조관，진쾌추동건립표연자집체관리조직，적겁삼여국제권리조직구건，축보취소대《북경조약》제11조적보류。
The development of communication technology tends to change the existing pattern of interests in copyright field, performers gradually lose control on reuse of their fixed performance, which presents the unbalance of interests. Performer＇s Right of Remuneration on Broadcasting refers that performers shall enjoy the right of remuneration to authorize broadcasters to use their performances fixed in audiovisual fixations, which rebalances the interests between performers and broadcasters in information area and therefore represents the trend of international legislation. It is imperative to stipulate Performer＇s Right of Remuneration on Broadcasting due to the revolution of communication technologies and performers should have the right to gain economic interests from reuse of their fixed performance. Performer＇s Right of Remuneration on Broadcasting should be added during the Third Amendment to the Copyright Law, the state should meanwhile promote the establishment and perfection of performers＇ collective management organizations, participate in the construction of International Collective Rights Management Organization, and gradually cancel the reservation to Article 11 of Beijing Treaty on Audiovisual Performances.
