东北师大学报:哲学社会科学版
東北師大學報:哲學社會科學版
동북사대학보:철학사회과학판
Journal of Northeast Normal University(Social Science)
2015年
4期
177~180
,共null页
互联网艺术 审美特性 拉斯维尔模式
互聯網藝術 審美特性 拉斯維爾模式
호련망예술 심미특성 랍사유이모식
Internet Art; Aesthetic Characteristics; Lasswell's Communication Model
进入web3.0时代,对于互联网艺术的审视无法忽视其与传统艺术的本质性差别,更需要融合对互联网媒介技术特性和传播特性的透彻思辨。因此,打破学科界限,融入跨艺术学、传播学、美学的研究视野成为本文的逻辑出发点。以"拉斯韦尔模式"的五个层面:传播主体、传播文本、传播媒介、传播受众和传播效果作为分析视角,经过深度分析可以发现互联网艺术言说与接受主体的交互性、互联网艺术形式的超文本性、互联网艺术传播的超媒体性以及互联网艺术效果的虚拟现实性等五大审美特性。在明确互联网独特审美特性的基础上,应更好地把握其艺术创作规律,同时也为网络受众在日常生活中建构更多的审美语境。
進入web3.0時代,對于互聯網藝術的審視無法忽視其與傳統藝術的本質性差彆,更需要融閤對互聯網媒介技術特性和傳播特性的透徹思辨。因此,打破學科界限,融入跨藝術學、傳播學、美學的研究視野成為本文的邏輯齣髮點。以"拉斯韋爾模式"的五箇層麵:傳播主體、傳播文本、傳播媒介、傳播受衆和傳播效果作為分析視角,經過深度分析可以髮現互聯網藝術言說與接受主體的交互性、互聯網藝術形式的超文本性、互聯網藝術傳播的超媒體性以及互聯網藝術效果的虛擬現實性等五大審美特性。在明確互聯網獨特審美特性的基礎上,應更好地把握其藝術創作規律,同時也為網絡受衆在日常生活中建構更多的審美語境。
진입web3.0시대,대우호련망예술적심시무법홀시기여전통예술적본질성차별,경수요융합대호련망매개기술특성화전파특성적투철사변。인차,타파학과계한,융입과예술학、전파학、미학적연구시야성위본문적라집출발점。이"랍사위이모식"적오개층면:전파주체、전파문본、전파매개、전파수음화전파효과작위분석시각,경과심도분석가이발현호련망예술언설여접수주체적교호성、호련망예술형식적초문본성、호련망예술전파적초매체성이급호련망예술효과적허의현실성등오대심미특성。재명학호련망독특심미특성적기출상,응경호지파악기예술창작규률,동시야위망락수음재일상생활중건구경다적심미어경。
Entering into the Web3. 0 Era, the essential difference from the traditional art can no longer be ignored in examining internet art. Also, we need a more thorough thinking on the fusion of the technology characteristics and transmission characteristics of the internet. Therefore, the main logical origin of this essay is to break the disciplinary boundaries,and form a research vision in which art, communication, aesthetics are fused. From the perspective of Lasswell's communication model, which is, Who ( ~ays), What ( to), Whom (in), What Channel (with), What Effect, through deep analysis, we can find five aesthetic characteristics of internet art. They are: the interactivity between internet's aesthetic speech and its audiences,the hypertextuality of internet's aesthetic form,the hypermedia of internet's aesthetic transmission,and the invented reality of internet's aesthetic effects. After identifying the internet's aesthetic characteristics, we should make better use of its aesthetic rules and construct more aesthetic contexts for the audiences in daily life.