辽宁师范大学学报:社会科学版
遼寧師範大學學報:社會科學版
료녕사범대학학보:사회과학판
Journal of Liaoning Normal University(Social Science Edition)
2015年
4期
549~553
,共null页
《伤逝》 子君 咏叹调 音乐语汇 演唱处理 人物形象
《傷逝》 子君 詠歎調 音樂語彙 縯唱處理 人物形象
《상서》 자군 영우조 음악어회 연창처리 인물형상
Mourning; Zijun; aria; musical vocabulary; singing techniques; character images
咏叹调对于歌剧和歌剧人物角色都具有核心的、不可替代的作用,而音乐语汇与演唱处理是咏叹调的两个核心要素。要想真正掌握一首咏叹调,就必须从这两个角度去深入地剖析、解构。歌剧《伤逝》是我国歌剧中的经典代表作品,女主角子君是当之无愧的第一主角,是整部歌剧进行的核心和主线。子君的三首咏叹调完整地展现出女主角的艺术形象与艺术魅力。对这三首咏叹调的分析与处理不仅会使我们更加准确和深刻地理解和把握子君这一歌剧人物角色,同时,也会使我们更加准确和深入地认识、理解和掌握整部歌剧。只有不断研究、探索和掌握正确的声乐学习和演唱方式,才能使声乐实践工作取得不断的进步。
詠歎調對于歌劇和歌劇人物角色都具有覈心的、不可替代的作用,而音樂語彙與縯唱處理是詠歎調的兩箇覈心要素。要想真正掌握一首詠歎調,就必鬚從這兩箇角度去深入地剖析、解構。歌劇《傷逝》是我國歌劇中的經典代錶作品,女主角子君是噹之無愧的第一主角,是整部歌劇進行的覈心和主線。子君的三首詠歎調完整地展現齣女主角的藝術形象與藝術魅力。對這三首詠歎調的分析與處理不僅會使我們更加準確和深刻地理解和把握子君這一歌劇人物角色,同時,也會使我們更加準確和深入地認識、理解和掌握整部歌劇。隻有不斷研究、探索和掌握正確的聲樂學習和縯唱方式,纔能使聲樂實踐工作取得不斷的進步。
영우조대우가극화가극인물각색도구유핵심적、불가체대적작용,이음악어회여연창처리시영우조적량개핵심요소。요상진정장악일수영우조,취필수종저량개각도거심입지부석、해구。가극《상서》시아국가극중적경전대표작품,녀주각자군시당지무괴적제일주각,시정부가극진행적핵심화주선。자군적삼수영우조완정지전현출녀주각적예술형상여예술매력。대저삼수영우조적분석여처리불부회사아문경가준학화심각지리해화파악자군저일가극인물각색,동시,야회사아문경가준학화심입지인식、리해화장악정부가극。지유불단연구、탐색화장악정학적성악학습화연창방식,재능사성악실천공작취득불단적진보。
Aria plays a core and an irreplaceable function in both opera and its characters.In order to perform an aria very skillfully,one needs to analyze and deconstruct musical vocabulary and performing techniques profoundly because they are the key elements of an aria.Mourning,a classic work in Chinese Opera,has Zijun as its true leading character,which promote the development of the whole opera by being both the core character and the plot line.Through the performance of three arias,Zijun showed fully the artistic image and charm of the heroine.The analysis of three arias enables us to know and perform character Zijun more accurately and helps us to understand the whole opera more profoundly as well.We should do research continuously in order to find the correct way of performing and learning vocal music,and only in this way,can our vocal music practical work make constant progress in the future.