CAJ | 학술논문

《阿Q正传》《呼兰河传》是鲁迅、萧红以自己家乡承载启蒙主义创作主旨的代表性作品,一个为人作传,一个为城作传,两者都打破了传统的线性时间桎梏,创建了格式特别的时空形式,成就了它们＂历史存在的位置＂。在《阿Q正传》《呼兰河传》的空间设置比较中可以看出,萧红对鲁迅传统的继承,是一种真正意义上的继承,她不仅以鲁迅的艺术表现方式继承了＂改造民族灵魂＂的＂未完成的事业＂,还从精神上领悟了鲁迅＂创造小说新形式＂的真谛,在继承的基础上融入自己的艺术个性、对空间观念的独特理解、女性丰富细腻的情感和东北地域文化特质,创造了全新的以空间为主角、以空间展开结构全篇的小说形式,完成对鲁迅传统的创新与发展,形成小说创作中的新传统。
《아Q정전》《호란하전》시로신、소홍이자기가향승재계몽주의창작주지적대표성작품,일개위인작전,일개위성작전,량자도타파료전통적선성시간질곡,창건료격식특별적시공형식,성취료타문＂역사존재적위치＂。재《아Q정전》《호란하전》적공간설치비교중가이간출,소홍대로신전통적계승,시일충진정의의상적계승,저불부이로신적예술표현방식계승료＂개조민족령혼＂적＂미완성적사업＂,환종정신상령오료로신＂창조소설신형식＂적진체,재계승적기출상융입자기적예술개성、대공간관념적독특리해、녀성봉부세니적정감화동북지역문화특질,창조료전신적이공간위주각、이공간전개결구전편적소설형식,완성대로신전통적창신여발전,형성소설창작중적신전통。
Both LU Xun＇ s The True Story of Ah Q and XIAO Hong＇ s Hulan River are representative works to express the author＇ s enlightening purpose. Although one story for a person,the other for a city,they both broke the restriction of liner time,and created a special four- dimensional form,which achieved their historical position. From the two masterpieces,we could see XIAO Hong＇ s inheritance is a true one. She not only used LU Xun＇ s artistic expression to call for reconstruction of People＇ s Soul as an unfinished job,but also mastered LU Xun＇ s spirit of Creating New Form of Novel. She brought into work her own artistic character,her unique understanding of spatial concept,her sensational feeling and regional trait of Northeast. With a brand new form,she gave priority to space,and used it to unfold the whole structure. That is an innovation and development of LU Xun ＇ s tradition,and formed a new one for novel composition.