CAJ | 학술논문

书非小道,它既是中国思想大系统之组成部分,同时也是中国思想大系统的具体体现。当点画被理解为卦画,点画中有阴阳、有生机,＂书＂之自然形质被超越;当＂书＂被理解为＂意之所在＂,形质被生成为包含意味的＂意象＂,＂书＂之形式性特征被进一步冲淡;而以神采与骨肉齐备的生命体理解与规定＂书＂,＂书＂之＂形＂遂被导向＂形而上＂。与此相应,欣赏＂书＂实为欣赏道、欣赏自然、欣赏生命。对书的欣赏拒绝视觉之静观,惟赖味觉之研味。对＂书＂的理论自觉在一定意义上就是一个超越视觉性、回归味觉性之理论自觉。
서비소도,타기시중국사상대계통지조성부분,동시야시중국사상대계통적구체체현。당점화피리해위괘화,점화중유음양、유생궤,＂서＂지자연형질피초월;당＂서＂피리해위＂의지소재＂,형질피생성위포함의미적＂의상＂,＂서＂지형식성특정피진일보충담;이이신채여골육제비적생명체리해여규정＂서＂,＂서＂지＂형＂수피도향＂형이상＂。여차상응,흔상＂서＂실위흔상도、흔상자연、흔상생명。대서적흔상거절시각지정관,유뢰미각지연미。대＂서＂적이론자각재일정의의상취시일개초월시각성、회귀미각성지이론자각。
The calligraphy is not a minor theme,but part of the enormous system of Chinese ideology and a specific manifestation of it. When the stipples in painting are regarded as the trigrams in it,then the stipples contains the Yin-yang and vigor,thus naturally surpassing the physical form and quality of the calligraphy.When the book is interpreted as the ＂carrier of meaning＂,its form and quality are generated into the ＂imagery＂with implication,further weakening its formal features. As a result,the calligraphy is prescribed and understood as a living existence with both airs and flesh,hence the ＂form＂of the calligraphy conducted to ＂metaphysics＂.Accordingly,appreciation of the ＂calligraphy＂actually means appreciation of Taoism,nature and life. So appreciation of the calligraphy takes no count of only visual view but imbibes its marvelous taste. In a sense,our theoretical self-consciousness to the calligraphy is a theoretical self-consciousness surpassing visual sense and returning to sense of taste.