浙江艺术职业学院学报
浙江藝術職業學院學報
절강예술직업학원학보
Journal of Zhejiang Vocational Academy of Art
2015年
2期
28-33
,共6页
戏曲文化%家族文化%私家曲藏
戲麯文化%傢族文化%私傢麯藏
희곡문화%가족문화%사가곡장
opera culture%family culture%private collection of opera classics
明清江苏私家收藏曲籍相当普遍，是戏曲文献得以流布、传承的重要途径，主要有两种方式：藏书家收藏曲籍、后代收藏先祖曲作。私家藏曲活动具有较为鲜明的家族性，体现了戏曲文化的繁荣，以及家族文化与戏曲艺术的密切关系。
明清江囌私傢收藏麯籍相噹普遍，是戲麯文獻得以流佈、傳承的重要途徑，主要有兩種方式：藏書傢收藏麯籍、後代收藏先祖麯作。私傢藏麯活動具有較為鮮明的傢族性，體現瞭戲麯文化的繁榮，以及傢族文化與戲麯藝術的密切關繫。
명청강소사가수장곡적상당보편，시희곡문헌득이류포、전승적중요도경，주요유량충방식：장서가수장곡적、후대수장선조곡작。사가장곡활동구유교위선명적가족성，체현료희곡문화적번영，이급가족문화여희곡예술적밀절관계。
During the Ming and Qing dynasties, private collection of opera classics was quite common in Jiangsu Province. It was an important way to spread and inherit the opera literatures. There were two main ways of private col?lection, namely bibliophiles’ collection of opera classics and offspring’ s collection of ancestral opera creation. The collection activity had distinct familial characteristic, and reflected the prosperity of opera culture and the close rela?tionship between family culture and opera art.
