CAJ | 학술논문

作曲家埃里克·萨蒂于1914年为夏尔·马丹插图绘画作品所创作的配画音乐作品《运动与嬉戏曲》组曲，其创作的主要意图是用音乐诠释绘画艺术的画面感。此外，乐谱中的文字说明以故事叙述、情景描绘的方式，融入到音乐作品中，也成为音乐作品中一个不可或缺的重要因素，也是理解音乐作品的有效方式之一。为此，本文以谱面中法文说明所对应的短小乐思为分析切入点，通过对所选三首乐曲具体技法的剖析，说明作曲家在该作品中借音乐诠释文字的内容，以音乐(听觉)与文字(视觉)的相互作用带来画面感。
작곡가애리극·살체우1914년위하이·마단삽도회화작품소창작적배화음악작품《운동여희희곡》조곡，기창작적주요의도시용음악전석회화예술적화면감。차외，악보중적문자설명이고사서술、정경묘회적방식，융입도음악작품중，야성위음악작품중일개불가혹결적중요인소，야시리해음악작품적유효방식지일。위차，본문이보면중법문설명소대응적단소악사위분석절입점，통과대소선삼수악곡구체기법적부석，설명작곡가재해작품중차음악전석문자적내용，이음악(은각)여문자(시각)적상호작용대래화면감。
Erik Satie’s attempt of composing the piano suite of Sport et divertissements associ-ated with Charles Martin’s paintings is to interpret the art of paintings by music with the sense of visual attractions. In addition, French text descriptions in the score become an indispensable element within the musical entirety. This study starts with the explanation of the shout musical ideas corresponding to the French text descriptions in the three selected pieces of the suite, and then elucidates how the composer designs to interpret the text contents by music and to create imaged pictures in his mind made by visual and audible interaction through a detailed analysis.