黄钟-中国·武汉音乐学院学报
黃鐘-中國·武漢音樂學院學報
황종-중국·무한음악학원학보
HuangZhong (Journal of Wuhan Conservatory of Music, China)
2015年
2期
55-64
,共10页
普罗科菲耶夫钢琴小品%和声语汇%调式调性%整体布局
普囉科菲耶伕鋼琴小品%和聲語彙%調式調性%整體佈跼
보라과비야부강금소품%화성어회%조식조성%정체포국
Sergei Prokofiev (1891-1953)%piano piece%harmony%harmonic vocabulary%modes tonality%integral distribution
该文以普罗科菲耶夫钢琴小品为研究对象，从和声语汇、调式调性、整体布局三方面对普罗科菲耶夫钢琴小品进行了探讨，希望其对作曲家的创作有参考价值。
該文以普囉科菲耶伕鋼琴小品為研究對象，從和聲語彙、調式調性、整體佈跼三方麵對普囉科菲耶伕鋼琴小品進行瞭探討，希望其對作麯傢的創作有參攷價值。
해문이보라과비야부강금소품위연구대상，종화성어회、조식조성、정체포국삼방면대보라과비야부강금소품진행료탐토，희망기대작곡가적창작유삼고개치。
This paper is one of a series of researching harmonic language in Prokofiev’s piano pieces, which selected Prokofiev’s piano pieces as research materials, to explore those pieces from three aspects of harmonic vocabulary, modes tonality, and integral distribution. The author wished this discussion would have some reference values for Chinese composers’creations.
