CAJ | 학술논문

相比其它以“和”为中心构建起来的音乐美学范畴，“清和”是古代音乐美学中独有的，它比“中和”更突出了音乐的审美性，比“淡和”更突出了音乐的伦理功能，“清”自身具有的哲学内涵及审美意蕴更使得“清和”在中国古代音乐美学中具有本体化的地位。
상비기타이“화”위중심구건기래적음악미학범주，“청화”시고대음악미학중독유적，타비“중화”경돌출료음악적심미성，비“담화”경돌출료음악적윤리공능，“청”자신구유적철학내함급심미의온경사득“청화”재중국고대음악미학중구유본체화적지위。
Compare with many other terminologies with“he” or harmony in music aesthetics,“qinghe” or peaceful?ness is unique in classical Chinese music aesthetics. It gives more prominence to aesthetics than “zhonghe” or neu?trality, and gives more prominence to ethic than “danhe” or emotionless. The philosophic connotation and aesthetic meaning of “qing” or peace makes “qinghe” the noumenon in the classical Chinese music.