浙江艺术职业学院学报
浙江藝術職業學院學報
절강예술직업학원학보
Journal of Zhejiang Vocational Academy of Art
2015年
2期
40-44
,共5页
《六月霜》%秋瑾%女性书写
《六月霜》%鞦瑾%女性書寫
《륙월상》%추근%녀성서사
Frost in June%Qiu Jin%women’ s writing
《六月霜》传奇是现知唯一一部由女性书写秋瑾的戏曲，剧中塑造了与当时众多“秋瑾戏”有所不同的秋瑾形象。从情节角度的选取、秋瑾形象的塑造等方面着眼，可认知晚清民国期间进步知识女性的精神特质与文化心态。
《六月霜》傳奇是現知唯一一部由女性書寫鞦瑾的戲麯，劇中塑造瞭與噹時衆多“鞦瑾戲”有所不同的鞦瑾形象。從情節角度的選取、鞦瑾形象的塑造等方麵著眼，可認知晚清民國期間進步知識女性的精神特質與文化心態。
《륙월상》전기시현지유일일부유녀성서사추근적희곡，극중소조료여당시음다“추근희”유소불동적추근형상。종정절각도적선취、추근형상적소조등방면착안，가인지만청민국기간진보지식녀성적정신특질여문화심태。
Among the many dramas about Qiu Jin, Frost in June is the only one known to be created by a female writ?er, who depicted the heroine from a different perspective from most of her male contemporaries. This paper attempts to explore the spiritual world and cultural mentality of the female intellectuals in China ’ s late Qing Dynasty ( 1636-1912) and the Republican Period (1912-1949) through analyzing the plot and portrayal of the heroine.
