CAJ | 학술논문

本文从场所和建筑本体两个方面，追溯阿尔瓦罗·西扎设计中的一些古典手法。关于场所中的古典氛围营造，以福尔诺斯教区对雅典卫城的隐喻为例；关于建筑本身的古典秩序，一方面从平面到立面甚至三维视点对建筑作品进行了分析，提取出A-B-A的模式，一方面探究了西扎常用的U型平面的原型，并寻找与之相关的阿道夫·路斯、勒·柯布西耶以及帕拉第奥的历史脉络，直到最初的古典建筑，将他们作品中都可见的古典秩序进行比较分析。
본문종장소화건축본체량개방면，추소아이와라·서찰설계중적일사고전수법。관우장소중적고전분위영조，이복이낙사교구대아전위성적은유위례；관우건축본신적고전질서，일방면종평면도립면심지삼유시점대건축작품진행료분석，제취출A-B-A적모식，일방면탐구료서찰상용적U형평면적원형，병심조여지상관적아도부·로사、륵·가포서야이급파랍제오적역사맥락，직도최초적고전건축，장타문작품중도가견적고전질서진행비교분석。
This paper discusses the subject from two aspects: place making and building design. For the place making, the paper takes the Santa Maria Church de Canaveses for example, as it takes the metaphor of the Athen Acropolis according to the research. For the building, this paper on one hand analyses the architecture plan, facade and even three-dimensional perspective to extract the A-B-A prototype, on the other hand analyses the typical U type of Siza’s design. Furthermore, the paper traces the origin of these classical style from the works of Alvaro Siza to Adolf Loos, Le Corbusier, Andrea Palladio and all the way to the classical architecture, and make comparisons.