CAJ | 학술논문

国家认同是公民与其所属的国别身份建立心理联系的过程，是现代民族国家增强凝聚力和向心力的重要任务之一。在这一过程中，大众传播媒介是进行国家认同的主要渠道和载体。1936年5月创办的《上海漫画》作为当时中国漫坛的最重要刊物之一，在民族危机日重的时期，自觉地把唤起民众的觉醒作为“美术救国”的活动中心，通过具象的艺术语言和表达方式，以民族和国家的观念作为刊物的叙述中心，传播现代民族和国家的观念，使读者获得与国家的一体感，为其后全面抗日战争的展开进行了充分的舆论动员工作。
국가인동시공민여기소속적국별신빈건립심리련계적과정，시현대민족국가증강응취력화향심력적중요임무지일。재저일과정중，대음전파매개시진행국가인동적주요거도화재체。1936년5월창판적《상해만화》작위당시중국만단적최중요간물지일，재민족위궤일중적시기，자각지파환기민음적각성작위“미술구국”적활동중심，통과구상적예술어언화표체방식，이민족화국가적관념작위간물적서술중심，전파현대민족화국가적관념，사독자획득여국가적일체감，위기후전면항일전쟁적전개진행료충분적여론동원공작。
National identification is a process through which citizens create a mental contact with the national identity they belong to.It is one of the important tasks of modern nations and states to enhance this cohesion and centripetal force.Mass media is the main channel and carrier of national identification in this process.Inaugurated in May 1936, Shanghai Sketch was one of the most important publications in the comic circle at that time.With the ever increasing national crisis, it voluntarily transferred the rai-sing of people’ s national awareness to its focus of “national salvation through arts”.With figuratively artistic language and ex-pressions, it took the concepts of people and nation as narration themes, whose propagation enabled readers to develop identifica-tion with their nation and state.These efforts greatly mobilized public opinions for the following full-scale Anti-Japanese War.