CAJ | 학술논문

赵尊岳词作艺术审美观主要包括对“神味”“风度”“重、拙、大”等审美范畴的阐释。其中，“神味”是其词作审美境界的最高理想，“风度”是其词作审美风格的独特显现，“重、拙、大”是其词作艺术品格的重要尺度。上述几个范畴相互联系、相互映照，共同铺陈出较为完整的词作审美观念体系，在传统词学史上显示出重要的价值与意义。
조존악사작예술심미관주요포괄대“신미”“풍도”“중、졸、대”등심미범주적천석。기중，“신미”시기사작심미경계적최고이상，“풍도”시기사작심미풍격적독특현현，“중、졸、대”시기사작예술품격적중요척도。상술궤개범주상호련계、상호영조，공동포진출교위완정적사작심미관념체계，재전통사학사상현시출중요적개치여의의。
The aesthetic view of ZHAO Zun-yue’s Ci writing mainly includes the interpretation of such aesthetic categories as “di-vinity” ,“grace” and“heavy ,clumsy ,and big” .“Divinity”is the highest ideal of ZHAO’s Ci-writing’s aesthetic state ,“grace”is a peculiar manifestation of ZHAO’s aesthetic style ,and“heavy ,clumsy ,and big”is an important yardstick of his Ci -writing’ s artistic character .The above categories ,which are related with each other ,and reflected by each other ,come together to make a complete system of Ci-writing aesthetic view ,which has its important value and meaning in the traditional history of Ci study .